Frans Hals
1580-1666 Frans Hals Galleries In the field of group portraiture his work is equalled only by that of Rembrandt. Hals's portraits, both individual and group, have an immediacy and brilliance that bring his sitters to life in a way previously unknown in the Netherlands. This effect, achieved by strong Baroque designs and the innovative use of loose brushstrokes to depict light on form, was not to the taste of critics in the 18th century and the early 19th, when his work was characterized as lazy and unfinished. However, with the rise of Realism and, later, Impressionism, Hals was hailed as a modern painter before his time. Since then his works have always been popular.

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Frans Hals Gypsy Girl oil painting


Gypsy Girl
between 1628(1628) and 1630(1630) Medium Oil on wood cyf
Painting ID::  88325
Frans Hals
Gypsy Girl
between 1628(1628) and 1630(1630) Medium Oil on wood cyf
   
   
     

Frans Hals Portrait of a Man oil painting


Portrait of a Man
1635(1635) Medium Oil on oak cyf
Painting ID::  88337
Frans Hals
Portrait of a Man
1635(1635) Medium Oil on oak cyf
   
   
     

Frans Hals Willem Croes oil painting


Willem Croes
between 1662(1662) and 1666(1666) Medium Oil on wood cyf
Painting ID::  88338
Frans Hals
Willem Croes
between 1662(1662) and 1666(1666) Medium Oil on wood cyf
   
   
     

Frans Hals Portrat eines jungen Mannes oil painting


Portrat eines jungen Mannes
c. 1655-1660 Medium Oil on canvas Dimensions Deutsch: 65 x 45 cm cjr
Painting ID::  88674
Frans Hals
Portrat eines jungen Mannes
c. 1655-1660 Medium Oil on canvas Dimensions Deutsch: 65 x 45 cm cjr
   
   
     

Frans Hals Portrait of Isaak Abrahamsz Massa oil painting


Portrait of Isaak Abrahamsz Massa
1626(1626) Medium Oil on canvas cyf
Painting ID::  88728
Frans Hals
Portrait of Isaak Abrahamsz Massa
1626(1626) Medium Oil on canvas cyf
   
   
     

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     Frans Hals
     1580-1666 Frans Hals Galleries In the field of group portraiture his work is equalled only by that of Rembrandt. Hals's portraits, both individual and group, have an immediacy and brilliance that bring his sitters to life in a way previously unknown in the Netherlands. This effect, achieved by strong Baroque designs and the innovative use of loose brushstrokes to depict light on form, was not to the taste of critics in the 18th century and the early 19th, when his work was characterized as lazy and unfinished. However, with the rise of Realism and, later, Impressionism, Hals was hailed as a modern painter before his time. Since then his works have always been popular.

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